Linda Holmes

Linda Holmes is a pop culture correspondent for NPR and the host of Pop Culture Happy Hour. She began her professional life as an attorney. In time, however, her affection for writing, popular culture, and the online universe eclipsed her legal ambitions. She shoved her law degree in the back of the closet, gave its living room space to DVD sets of The Wire, and never looked back.

Holmes was a writer and editor at Television Without Pity, where she recapped several hundred hours of programming — including both High School Musical movies, for which she did not receive hazard pay. Her first novel, Evvie Drake Starts Over, will be published in the summer of 2019.

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MARY LOUISE KELLY, HOST:

In the pandemic era, the Emmy Awards are not the first major event that can't be a traditional shindig, but they're perhaps the most high-profile awards show so far to attempt quite this kind of socially distanced, mask-wearing, virtual ceremony. Host Jimmy Kimmel and everyone producing the broadcast had a pretty tough hill to climb in making it watchable.

And surprisingly enough, it was. It wasn't just watchable; it was ... pretty good.

We committed the unpardonable crime of being mavericks who were successful, and everybody hated us. It would've been fine if we'd been just hacks and made a lot of money, that's OK. Or to be really original and starve, that's OK. But it's not OK to do both, and they didn't forgive us.

"With everything else going on in the world, now I gotta spend almost nine hours of my life thinking about Phyllis Schlafly?"

It only seems honest to admit to this reaction to the approach of Mrs. America, a nine-part miniseries created by Dahvi Waller. It was made under the FX Networks umbrella, but it's available only on Hulu, which drops the first three episodes on April 15. The series is not exclusively interested in Schlafly, but she is its point of greatest fascination, as it tells the story of the battle over the Equal Rights Amendment in the 1970s.

The streaming service Quibi — short for "quick bites" — calls itself "the first entertainment platform designed specifically for your phone."

Translation: They're doling out their shows in 7-to-10-minute chunks — er, episodes — at a rate of one per day. Quick bites, get it? Perfect for the busy, distracted, on-the-go consumer! Too bad none of us are on-the-going anywhere these days.

Quibi divides its shows into three categories: Movies in Chapters (read: serialized narrative), Unscripted and Documentaries (read: episodic nonfiction) and Daily Essentials.

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AILSA CHANG, HOST:

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At Sunday's Oscars, on a night when almost everything went as planned and as usual, the one true surprise came in the biggest moment of all.

Endings are sad, but without them, nothing matters.

That was only one of the lessons of the thoughtful, emotional finale of NBC's The Good Place, which itself ended after four seasons and only 52 episodes. But, as the show itself stressed in its last couple of installments, heaven is not continuing forever: It's leaving at the right time, when you've done your work. When you're ready.

The headline out of this morning's Oscar nominations could have been newness. There was the arrival of Netflix's two best picture contenders (Marriage Story with six nominations and The Irishman with 10). There was the huge showing for Bong Joon-ho's remarkable Parasite (six nominations) out of South Korea, the extraordinarily rare foreign-language film to make the leap to best picture and the first from South Korea.

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