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NPR's Mia Venkat explains what the internet was obsessed with this week: the jazzy jingles made by content creator Romeo.
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Icelandic director Hlynur Pálmason weaves scenes of quiet domestic life against the backdrop of an arresting landscape in his newest film.
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Petra Rivera-Rideau, co-author of the Bad Bunny Syllabus and the new book P FKN R, says the Puerto Rican artist often wields joy as resistance.
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Look for Tiny Desk Radio on your local NPR station.
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The Travis Scott signee came up in the shadow of his mentor's rootless sound. On Octane, he taps his hometown's lineage and finds a star power all his own.
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Green Day will kick off the music portion of the Super Bowl with a performance at the game's opening ceremony. Will politics be part of their act?
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These wildly different artists both reach the top of the pop charts this week.
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Protest requires people to take a stand and hold firm. Pop songs are designed to appeal across demographic lines. In music, as in the rest of the world, resistance takes place closer to the ground.
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In 1965, Davis led one of the all-time great jazz groups. That December, they recorded seven sets over two nights in a Chicago nightclub. The complete recordings went unreleased for decades.
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Backed by a band and choir, Pastor John P. Kee transforms the Tiny Desk into an old, wood-floored country church.
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Young People's Records was a popular mail-order subscription club in the 1940s, '50s and '60s.
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On "Aperture," the lead single from his upcoming album, the pop artist mines a different era of pop music.