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Opening the window on contemporary arts and issues with guests from worlds as diverse as literature and economics.
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Dakota Johnson plays a savvy New York City matchmaker caught between two men in a film that ultimately fails to reconcile the screwball vigor of a comedy with the emotional oomph of a drama.
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Del Toro moved from Puerto Rico to Pennsylvania as a teen. His breakout role was as a mumbly, small-time crook in The Usual Suspects. Now he's starring in Anderson's new film, The Phoenician Scheme.
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Washington Post Reporter Hannah Natanson says DOGE's mass firings made the government more inefficient. She also explains the risks of DOGE creating a massive database for the Trump administration.
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Mallon has been keeping diaries for most of his life. The Very Heart of It collects entries from the years 1983 to 1994, when he had recently come out as gay and moved to New York City.
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An Edinburgh police detective and a team of misfits search for a woman who vanished several years earlier. Critic John Powers says the byplay of characters makes Dept. Q worth watching.
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In her new memoir, Jong-Fast writes that her mother, Erica Jong — who penned the 1973 feminist novel Fear of Flying — had become addicted to fame and couldn't bear losing it.
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Okatsuka is known for her bowl haircut — and for finding humor in the dysfunction of her immigrant family. Her standup special Father is about her dad, who reappeared in her life after decades away.
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Biographer Todd Purdum says Arnaz was more than just "second banana" to Lucy. David Bianculli reviews Pee-wee as Himself. Hamill's film, The Life of Chuck, is an adaptation of a Stephen King novella.
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Mike Flanagan's new film, a maudlin mystery about a man dying of cancer, feels hobbled by its extreme faithfulness to the Stephen King novella on which its based.
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The Emmy-winning composer/arranger worked with a 35-piece orchestra for 27 years, creating music for The Simpsons. Clausen died May 29. Originally broadcast May 14, 1997.