Sarah Snook plays a mother desperately trying to locate her 5-year-old son in this gripping Peacock miniseries. The psychological thriller is adapted from Andrea Mara's novel All Her Fault.

Copeland says her final performance with American Ballet Theatre was a thank you to the communities that had supported her. "What I represented is something far bigger than me," she says.

Injustice authors Carol Leonnig and Aaron Davis say following Jan. 6, the cases against the former president were stymied by the FBI's desire to preserve its independence from politics.

The filmmaker has two new movies out: Nouvelle Vague is an homage to director Jean-Luc Godard, and Blue Moon centers on lyricist Lorenz Hart, the former creative partner of Richard Rodgers.

Heart the Lover is both a prequel and a sequel to King's 2020 novel Lovers & Writers. It's a story about screwing up, wising up, finding yourself and realizing what you may have lost in the process.

Del Toro's new Frankenstein adaption reimagines Mary Shelley's 1818 Gothic novel. Crowe was just 15 years old when he became a music journalist in 1973. His new memoir is The Uncool.

Mel Brooks' comedy classic came out in 1974. Today, we listen back to archival interviews with Young Frankenstein actors Gene Wilder, Teri Garr, Cloris Leachman and Peter Boyle — plus Brooks himself.

In this wickedly funny dark comedy, Emma Stone stars as a high-powered CEO who gets kidnapped by a low-ranking employee, played by Jesse Plemons, who believes she's an alien from outer space.

In a New Yorker article co-published with ProPublica, reporter Andy Kroll describes Russell Vought, director of the Office of Management and Budget, as a "shadow president" with oversized influence.

DaCosta has directed blockbusters like Candyman and The Marvels. Her latest is an adaptation of Henrik Ibsen's 1891 play, Hedda Gabler, recasting the main character as a queer, mixed-race Black woman.