Tom Huizenga

Tania León, the Cuban-born composer, won the Pulitzer Prize in Music on Friday for her orchestral work Stride. The Pulitzer jury described the 15-minute piece as a "musical journey full of surprise, with powerful brass and rhythmic motifs that incorporate Black music traditions from the U.S. and the Caribbean into a Western orchestral fabric." The two other finalists were Place, by Ted Hearne and Data Lords by Maria Schneider, both recordings.

Classical music fans are mourning the loss of Christa Ludwig, the beloved German mezzo-soprano celebrated both for her versatility and the warmth of her voice. She died at her home in Austria on April 24 at age 93.

Ludwig embraced a broad range of opera roles, with her silken tones, from the battered mistress Marie in Alban Berg's modernist Wozzeck, to the cheeky pageboy Cherubino in Mozart's Marriage of Figaro.

A young, mild-mannered soprano from Norway with a huge voice has been turning heads in the opera world.

Lise Davidsen is an emerging star whose voice has been called one-in-a-million. It can soar like a rocket over enormous orchestras. And yet on her new album, in the Verdi aria, "Pace, pace mio Dio!" it can dial down to a single gleaming strand of polished silver.

James Levine, the immensely accomplished conductor who wielded power and influence in the classical world, and whose singular tenure at the Metropolitan Opera ended in a flurry of accusations of sexual abuse, died on March 9 in Palm Springs, Calif. His physician of 17 years, Dr. Len Horovitz, confirmed his death to NPR, saying that Levine died of natural causes. He was 77 years old.

As pianist Mahani Teave was poised to launch her international career, she remembered the moment when the first piano arrived on her remote island. It was 1992, she was nine years old and the instrument landed on Rapa Nui, or Easter Island as it was named by Europeans. Best known for its mysterious, sentinel-like stone statues, the island lies some 2000 miles off the coast of Chile.

The Tiny Desk is working from home for the foreseeable future. Introducing NPR Music's Tiny Desk (home) concerts, bringing you performances from across the country and the world. It's the same spirit — stripped-down sets, an intimate setting — just a different space.


There's a distinct dissonance between the bucolic setting of this lovely Max Richter Tiny Desk (home) concert and the reality he references after his performance.

In 2021, I'm looking forward to, fingers crossed, live music. I really miss the roar of a symphony orchestra in concert or a soaring soprano on the opera stage. But artists are still making albums, even in lockdown, like British composer Max Richter. His upcoming album is a follow-up to last year's Voices. This new one is Voices, Part 2 which will be released in April.

The year 2020 was, in so many ways, divided. In terms of live performances, musicians were forced to reinvent, reflect and respond from a distance and in turn I watched their concerts from the remove of my laptop screen.

Two-hundred-fifty years ago, a musical maverick was born. Ludwig van Beethoven charted a powerful new course in music. His ideas may have been rooted in the work of European predecessors Wolfgang Amadeus Mozart and Josef Haydn, but the iconic German composer became who he was with the help of some familiar American values: life, liberty and the pursuit of happiness.

The Tiny Desk is working from home for the foreseeable future. Introducing NPR Music's Tiny Desk (home) concerts, bringing you performances from across the country and the world. It's the same spirit — stripped-down sets, an intimate setting — just a different space.

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