Maureen Corrigan

This is unbearable.

I wrote that one-sentence review to myself about half-way through reading Klara and the Sun, Kazuo Ishiguro's just published eighth novel.

Lest you think that doesn't sound like much of an enticement, know that I've probably written something like that sentence about every Ishiguro novel I've read. He is the master of slowly deepening our awareness of human failing, fragility and the inevitability of death — all that, even as he deepens our awareness of what temporary magic it is to be alive in the first place.

I'm obsessed with tales of obsession. Chances are, you are too, judging by the unflagging popularity of true crime stories presented in podcasts, documentaries, movies and books.

What sets Ellen McGarrahan's just-published true crime book, Two Truths and a Lie, above so many others I've read is the moral gravity of her presence on the page and the hollow-voiced lyricism of her writing style.

The year is probably too young to make this kind of pronouncement, but the new novel I know I'm going to be rereading in the coming months and spending a lot of time thinking about is Vendela Vida's We Run the Tides. It's a tough and exquisite sliver of a short novel whose world I want to remain lost in — and at the same time am relieved to have outgrown.

I'm always curious about what Chang-rae Lee is up to, even if I don't always love the result. Lee captivated me — and a multitude of other readers — with his 1995 debut, Native Speaker, about the insider-outsider situation of that novel's first-generation Korean American main character.

When Nadia Owusu was 7 years old and living in Rome with her father, stepmother and younger sister, two events occurred on the same day that upended her world.

The first was a disaster she didn't experience personally, but heard about on the radio: a catastrophic earthquake in Armenia, where her mother's family had lived before they sought refuge in America. The second was the sudden appearance of her mother, standing nervously at the front door, gripping a pair of red balloons in her hands.

Talking to friends this past week, I've described Anna North's new novel, Outlawed, as The Handmaid's Tale meets Butch Cassidy and the Sundance Kid. That's a glib tagline, but there's some justification for it.

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TERRY GROSS, HOST:

There's an underlying quality of solitude about this pandemic experience. Sealed into our little Zoom boxes, masked when we're in contact with others, many of us feel separated from the world by split-second time delays and a thin layer of lint.

Books break through. They enter directly into our heads, occasionally our hearts. Here are 10 of the books that broke through for me during this tough year.

Books have always gone to war, serving as comfort and distraction. And oftentimes, the most unexpected books have struck a chord in wartime.

For instance, who would've guessed that A Tree Grows in Brooklyn, Betty Smith's 1943 semi-autobiographical novel, would become one of the most popular books among servicemen in World War II, who received it as part of a massive book distribution program?

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