Lars Gotrich

Look, if you're going to make a music video warning about developing a God complex, you might as well load it with tons of biblical imagery and over-the-top CGI.

High On Fire helped usher heavy metal into the 21st century. When the band began in 1998, the scene was adrift in all things "nu," which undeniably left its mark on young listeners, introducing them to more extreme sounds. But those who carried the torch for metal — the kind handed down from Black Sabbath and Motörhead — kept the sound alive and thriving, even if only the dedicated few listened.

It's been four years since Magda Davitt, the artist formally known as Sinead O'Connor, released I'm Not Bossy, I'm the Boss. Today she offers "Milestones," produced by the Northern Irish electronic producer and film composer David Holmes, exclusively via The Irish Sun.

Though Neneh Cherry never really left music, her return as a solo performer in the last half-decade has been a reminder of the Swedish musician's remarkable elasticity.

Tim Hecker comes from a long line of unlineal composers, like François Bayle and Daphne Oram, where a source material — be it guitar, piano, synths, field recordings — is manipulated into new shades of sound via digital processing.

Somewhere between dusk and nightfall, there's a point when the sky's deep reds and luminous notes of peach bleed into deep blues and silhouetted skylines. It's a somber, meditative medley of color, when the reflection of day turns dim; that's where the new record by Patrick McDermott, who records instrumental guitar music as North Americans, rests.

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