Kevin Whitehead

Saxophonist Rudresh Mahanthappa's quartet can sound like it's cross-pollinating Indian classical music and vintage Captain Beefheart. That befits a bicultural saxophonist who grew up in Boulder, where his Hindu family had a Christmas tree. For a long time, Mahanthappa resisted combining jazz and Indian music — it was almost too obvious a trajectory. But then he got serious about it.

On a new box set collecting the first four albums of Jack DeJohnette and his band Special Edition, two discs are gems and the other two have their moments. DeJohnette's quartet-slash-quintet was fronted by smoking saxophonists on the way up, set loose on catchy riffs and melodies. The springy rhythm section could tweak the tempos like no one this side of '60s goddess Laura Nyro.

Grant Green, The Holy Barbarian, St. Louis, 1959 could be the name of a fine stage play, perhaps based on the actual circumstances of the recording. One musician on the way up, another past his moment in the limelight and one more who had his chance but never quite made it all convene on Christmas night, part of their week-long stand at the Holy Barbarian, a beatnik hangout replete with chess players and a local artist painting portraits.

Jazz lost many great saxophonists in 2012, including David S. Ware, John Tchicai, Byard Lancaster, Faruq Z. Bey, Hal McKusick and Red Holloway.

On a new box set from mail-order house Mosaic Records, Charles Mingus, The Jazz Workshop Concerts 1964-65, the jazz legend's bands usually number between five and eight players. The bassist often made those bands sound bigger. He'd been using midsize ensembles since the '50s, but his new ones were more flexible than ever, light on their feet but able to fill in backgrounds like a large group.

This review was originally broadcast on March 12, 2012. Brubeck died Wednesday at age 91.

Jazz reflects who we are as a people — democracy in action and all that. But a jazz tune or solo is also a portrait of the musician who makes it; the music reflects the particular background and training that influences how composers compose and improvisers improvise. Jason Kao Hwang makes that autobiographical component explicit throughout his extended composition for eight pieces, Burning Bridge. His parents made the move from China around the end of WWII, and he grew up attending Presbyterian services in suburban Chicago.

Vocalist Bessie Smith's musical career, spanning 1923-33, has been collected in a new 10-CD box set, Bessie Smith: The Complete Columbia Recordings.

This review was originally broadcast on Sept. 26, 2012.

Jazz multi-instrumentalist Sam Rivers, who died at 88 in December 2011, recorded with many trios in the 1970s. But his most celebrated trio was barely recorded at all. In 2007, it played a reunion concert — its first in 26 years.

In the 1970s and '80s, George Cables was the pianist of choice for saxophonists Dexter Gordon and Art Pepper; Pepper called him his favorite pianist.

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