Audie Cornish

During World War II, with thousands of men shipping off to war, half a dozen all-female, instrumental big bands toured around America. It was a rarity in a musical world dominated by men and, for the most part, their stories have been erased or minimized in jazz history.

Maren Morris' life has been a whirlwind these last few years. Following the success of her major label debut album, 2016's Hero, and last year's dance-pop hit "The Middle," the country-pop singer-songwriter is back with more experiences, more confidence and her latest album, Girl, out March 8.

This story is part of American Anthem, a yearlong series on songs that rouse, unite, celebrate and call to action. Find more at NPR.org/Anthem.

Create and star in a blockbuster hip-hop musical, and you get to do pretty much anything you want. For Lin-Manuel Miranda, the playwright and composer behind Hamilton and In the Heights, that means starring in the sequel to a hallowed Disney classic.

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Andre Leon Talley is best known for his time as a fashion editor for Vogue and for what he wears on his 6'6" frame.

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The new film Widows is an action-packed heist thriller — with a major twist.

Masked men break into a Chicago vault. Very quickly, it goes very wrong. Within the first few minutes of the movie, the men are dead. Their wives — now widows — are left to finish the job.

The first thing you'll notice about musician Jacob Banks is his voice — a mesmerizingly deep baritone with timbre so rich, you can almost feel it wrapping you up in song. But that's not all the 27-year-old R&B singer brings to the table.

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1988 was a colossal year for hip-hop. Soon-to-be-classic albums from Public Enemy, N.W.A., Run-D.M.C, Boogie Down Productions and more solidified the artform birthed from the Bronx as a viable and music industry-funded endeavor. Stretch Armstrong and Bobbito Garcia, who host NPR's What's Good podcast, remember the hip-hop revolution circa 1988.

Forty years ago, horror fans were introduced to the masked killer Michael Myers, stalker of babysitters in a small Illinois town. The film was, of course, Halloween. And it was the debut of Jamie Lee Curtis, who played the bookish babysitter, Laurie Strode — the original "final girl" character who narrowly escapes the slaughter. Curtis appeared in three more sequels and even died in one. She thought she'd left that character behind.

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