NPR Music

Michel Camilo On Piano Jazz

Sep 14, 2018

Grammy-winning pianist, composer and bandleader Michel Camilo is one of the most fascinating jazz artists working today. A prodigy from the Dominican Republic, he began his professional career at the age of 16 as the youngest member of the National Symphony Orchestra. In his twenties, Camilo moved to New York City, where he took the jazz scene by storm with his whirlwind approach to music, technical brilliance and post-bop Latin rhythms. In this 1989 Piano Jazz session, Camilo plays his own composition "Nostalgia."

Ray BLK is here to hold it down for the ladies. The U.K. artist shines in her new video for "Empress," a cool, calm and vivaciously confident anthem about this woman's worth.

Denver band Nathaniel Rateliff & The Night Sweats played a scorching set of funky soul songs as part of our Apogee Sessions series, including the track, "I'll Be Damned." It's an older song they recorded with producer Richard Swift for the deluxe edition of its latest record Tearing at the Seams. This was only the band's third time playing the song live and it was a hit!

As the seasons change, the melancholy of losing summer deserves its own soundtrack. Atlanta crooner 6LACK (pronounced "black") — who dropped a sleeper hit of a debut album in 2016 with Free 6LACK and in the time since has toured the world with The Weeknd and become a first-time father — has returned with his sophomore album, East Atlanta Love Letter, for just such a time.

The Thistle And Shamrock: The Long View

Sep 14, 2018

If you've been listening to Thistle for some years, perhaps you'll remember two unforgettable extended medleys of tunes; one from Breton harper and multi-instrumentalist Alan Stivell and the other from Irish fiddler Kevin Burke. You'll be delighted to make their re-acquaintance this week.

GoGo Penguin: Tiny Desk Concert

Sep 14, 2018

During his setup, GoGo Penguin's pianist Chris Illingworth asked if he could remove our piano cover to "access the inside" and, after a few rotations of a screwdriver, he soon handed me a long plank of black painted maple, which has no convenient place to rest in the NPR Music office. If you look closely at the piano innards during "Bardo," you can see a strip of black tape stretched over a few strings, opposite Illingworth's bobbing head. It mutes a group of strings, turning them into percussive jabs and dividing the instrument into more explicit rhythmic and melodic sections.

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